Tuesday, April 01, 2008

The mechanics of writing

Having just finished a 45,000 word report, researching, writing, editing and typesetting it, my hands and wrists feel the strain, and it has got me thinking about the physical process of how I get my thoughts into words. I grew up in an age where typing was for girls—the only QWERTY keyboards that I ever saw were attached to manual typewriters, and no boy at school would ever have thought of going near one of these things. However, I did start to develop a pretty fast 2-finger style as a countermeasure to my scrawling illegible left-handed writing, and I typed most of my essays at school and university on a battered old sit-up-and-beg office typewriter that I bought for five pounds at an auction, soon superseded by an Olivetti lettera portable, that I still have tucked away against the day when civilization falls.

I then went onto golfball typewriters, including a wonderful IBM machine I used occasionally at work which had a 1-line memory, used to micro-justify word spacing, and produce text for typesetting. Easier on the fingers than the mechanical pressure needed to flip up pieces of metal to hit paper. And then word-processors!

Ah, the keyboards I have used on my computers. Ranging from the flimsy to those built like a tank. From the complete rubbish to the pretty good (NeXT’s Mk II keyboard, with the command bar under the space bar, was one of my favorites).

I’m rough on my keyboards; since I started working at home as a writer, I guess I’ve got through about a dozen keyboards in as many years. Some refuse to work any more. Some just hurt my hands after too long. Some are just built stupidly. I have recently been presented with a Dell keyboard at one placer where I work, and I have yet to meet a more stupid design. I’m no fan of Japanese 106-key layouts anyway, but this keyboard, although it does have little light up buttons to play music (useless in an office environment) has a space bar the size of a large backspace key. For English language typing, it means that you’re constantly hitting weird keys that automatically convert your spaces into whole-width spaces (don’t get me started on the craziness of typing Japanese on a computer!), start you entering katakana at random, etc. This is a really baaad keyboard. This keyboard is suitable for those poor Japanese who believe that a computer keyboard is a laptop keyboard, having been presented with a 13” screen and a cramped toy keyboard with far too many functions on it, to do their office work on. No wonder opticians have thriving businesses in Japan and shiatsu is a proven money-spinner. Happily, I only edit on this monstrosity, and don’t write using it. If I worked full-time in that office, i would be bringing in my own keyboard - there is no way that anyone should subject themselves to the torture of a poorly-designed device.

I’ve been using the standard Apple (English) keyboard for the past few years, and have been happy with it, but I’ve recently made the switch to a Logitech (Logicool in Japan) Wave keyboard . Yes, it looks weird, but it’s a lot more comfortable than the Microsoft keyboard which also curved round, and the key action is a lot smoother. Furthermore, it’s forcing me into typing better, and I am typing with more fingers, and possibly even faster than before. Anyway, this is the keyboard I will be using to write my blog entries in the future. I’ll be talking about writing - not just the words, but the way to produce them, and to present them. Let me know if there’s anything in particular that you’d like to see.

Posted by Hugh Ashton on 04/01 at 06:47 PM
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